Theatre review – Sideways

There was a dramatic surge in sales of Pinot Noir wine, after the 2004 movie Sideways became a surprise hit.

Writer Rex Pickett has adapted his script for the stage, and after success in La Jolla it has now made its way across the pond to the St. James Theatre in London.

Miles is a wine bore. And he’s depressed. He’s a failed husband and a failing writer. He loves Pinot Noir. He hates Merlot.

He and his buddy Jack are hitting some California wineries for a week before Jack’s wedding, but they have very different agendas. Miles is searching for some answers at the bottom of an expensive wine bottle. Jack – a second-rate actor and ageing lothario – just wants to get laid before his nuptials.

Opportunity knocks in the form of Terra – a winery host – for Jack, Pinot Noir – and waitress Maya – for Miles.

After a languid first sip or two, the performance really hit its stride mid-way through the first half. By the time the bottle is emptied, the audience is gurgling with laughter as Miles and Jack have to face the music.

Sideways is a touching, funny and poignant story of love, friendship and grapes. The English cast admirably ape the American characters and voices, but Paul Giamatti as Miles and Thomas Haden Church as Jack in the original movie are hard acts to follow.

A few cautionary words. There is a lot of swearing. And some full-frontal nudity. And get some Pinot Noir down the off-licence before it sells out.

 

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