Thanks to my Times+ membership, we’ve just seen a pre-release screening of The Sense of an Ending, based on the Julian Barnes novel of the same name.
Tony Webster is the divorced, almost reclusive and somewhat curmudgeonly owner of a second-hand Leica camera shop in London. He is in close contact with his ex-wife and heavily pregnant daughter, and yet he is emotionally aloof from them.
He is forced to reconsider his view of family, friends and life though, when he receives a strange legacy. The mother of his old girlfriend Veronica from university days, 40 years ago, has died and has bequeathed him a diary. Unexpectedly, the diary belonged to Tony’s old school friend Adrian, who dated the enigmatic Veronica after she and Tony ended their brief and unconsummated relationship.
But Veronica refuses to give the diary back to Tony, for some reason, and the film delicately unravels the mystery of why, spanning the generations and uncovering uncomfortable truths for Tony.
This is a very English production, filmed mostly on location in Bristol and London, and featuring a stellar cast delivering beautifully understated acting. In the current timeline, Jim Broadbent is the essentially good Tony Webster; Harriet Walter his slightly acerbic wife Margaret; Charlotte Rampling the older but still mysterious Veronica; Michelle Dockery is the mature daughter Susie facing motherhood alone.
The lesser known actors playing the main characters in their younger years capture perfectly the period and the zeitgeist of youth.
Out in cinemas on general release on April 14th, I’d urge you to see this slow-burning emotional film, whether you’ve read the book or not.