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The Guildford Book Festival 2017

The Guildford Book Festival was established in 1989, and has grown in scale and reputation ever since.

This year was the first opportunity I have had to embrace the Festival….and there sure was a lot to wrap your literary arms around.

As a travel writer and blogger, I have wondered if I could ever make the leap towards crafting a readable work of fiction. Step forward Rachel Marsh, and her engaging Creative Writing Workshop which ran all week, and introduced the lively class to character development, writing dialogue, plot, editing and getting published, amongst other fun and interesting themes. Watch this space….

Before the start of the Festival I had written an article for TripFiction, giving a sneak preview of the GBF events that featured authors talking about books with a strong sense of location.

With my journalist’s hat on, and with huge thanks to TripFiction for opening the door and Tamsin Williams from Wigwam PR for shoving me through it, I was privileged to interview some of the Festival authors. Here are links to my posts, published on TripFiction:

Somehow, I managed to learn enough about the migrant crisis, 19th century French Impressionism, Venice, the Palestine/Israel conflict, political thrillers and mountaineering to bluff my way through chats with these esteemed writers. Hopefully.

A couple of disappointments. Something went desperately wrong with directions to the venue for the Alan Hollinghurst event, talking about his new book The Sparsholt Affair. I missed seeing Alan, but that did at least mean I caught all of the Chris Bonington talk, which  made my phone interview with the knighted adventurer rather more rewarding.

And I’ve been stalking author Laura Barnett for a while, since reading her charming and hugely successful debut novel The Versions of Us.  She has been touring the UK, promoting her second novel Greatest Hits by performing gigs with singer Kathryn Williams, bringing to life the soundtrack of the book. Sadly, their performance at this year’s Guildford Book Festival was cancelled at fairly late notice, and with no real explanation.

But those small mishaps did little to dent my enthusiasm for a brilliant Festival. Thanks to the many people involved in making t all happen, and looking forward to 2018 already.

Theatre review – You Give Me Fever

You Give Me fever – review for Essential Surrey website.

5 STARS, May 23-27. “What an intelligent antidote to the Jukebox Musical gravy train Jack Lynch has written”, says Andrew Morris

Was the huge success of Mamma Mia! responsible for the deluge of so-called “Jukebox Musicals” invading our theatres over the last 20 years, do you think? We Will Rock You, Our House, Jersey Boys, Thriller… the list of musicals with contrived plots woven loosely around artists’ songbooks goes on and on.

I guess it’s all about the Money, Money, Money, so how refreshing to see a more thought-provoking, entertaining and intellectually challenging work from that over-extended genre, performed on a much more intimate stage.

Head down to The Back Room of the Star Inn, Guildford to see You Give Me Fever – “the Phaedra Cabaret”, an innovative production from LynchPin for the Guildford Fringe. I bet you didn’t know that the tragic heroine of Greek mythology loved the jazz and blues classics, did you? Or that she mixed a mean Aegean Fizz cocktail?

Sultry siren Pippa Winslow is Phaedra (“Fey”), luring us into her tangled mythological web of Greek gods, bull-headed Minotaurs and doomed love affairs as she mixes drinks and sings us jazzy standards. Mad About The Boy, Let’s Face the Music and Dance, One For My Baby, Crazy…. Fey seduces her enthralled cabaret audience in perfect harmony with the sad narrative of her life story.

Thwarting her sister Ariadne in pursuit of Theseus, falling in love with Hippolytus – son of Theseus by another woman – Fey warns us from the outset that her story will not have a happy ending. But along the way, thanks to brilliantly synchronised song choices and some crazy cocktails, the mythological minx serves up a whole lot of fun.

Pippa delivers a seductive performance as Fey in this one-woman show, equally adept at singing, acting and mixology. No wonder Theseus and Hippolytus fell for her significant charms.

Also on stage throughout is James Shannon, a jazz guitarist recently graduated from Guildford’s very own ACM, and whose moody finger-style arrangements breathe even more life into Fey’s songs. Watch out for James’s brief – but perfectly pitched – acting cameo….

You Give Me Fever – “the Phaedra Cabaret” – is written and directed by Jack Lynch, co-founder of LynchPin Productions Theatre Company. What an intelligent antidote to the Jukebox Musical gravy train Jack has written.

And thank you to the Guildford Fringe for another 5* piece of stimulating and entertaining theatre.

Theatre review – The Comedy of Errors

It’s hard to believe that the same man who wrote the farcical, slapstick The Comedy of Errors also wrote Hamlet, Macbeth and Othello.

 

“Errors” is one of Master Shakespeare’s earliest plays, and it’s also his shortest.

The knock-about tale tells of two sets of identical twins, their father Egeon – a Syracuse merchant on the cusp of being executed for entering Ephesus – and Emilia, Egeon’s long-lost wife, now Abbess at Ephesus.

One set of twins are called Antipholus, the other – the Antipholean bondmen – are both Dromio.

Separated from his wife and one pair of twins during a tempest at sea, Egeon is trying to track them all down. What follows is an exhausting helter-skelter ride, with mistaken identity, wordplay and slapstick comedy providing a farcical theatrical experience of Feydeau and Brian Rix proportions.

The ever brilliant Guildford Shakespeare Company pull it all off in their usual exuberant style, the mobility of the open-air set – at both Guildford Castle Keep and around the Castle grounds by the bandstand – adding to the air of fluid confusion.

The loose ends are all neatly tied up with a bow on top, before Will gets his head down for some serious tragedy.

 

Theatre review – Mummy

Well, that was different….

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Just back from seeing our first Guildford Fringe performance – Mummy – in the Back Room of Guildford’s Star Inn.

We had no idea what to expect. Other than a pint and a pasty. And probably a different experience than going to the Yvonne Arnaud theatre, just down the road.

Written and performed by the very talented Amy Gwilliam, this one-woman show packs more thought-provoking theatre into 60 minutes than most West End dramas do in twice the time, and for at least three times the price.

Dr. Elizabeth Niccoll, a Cambridge graduate and Egyptologist with a specialist knowledge of death rituals, returns to her old school to give a presentation on her newly launched book: Mummy – The Art of Saying Goodbye.

Initially in total control of herself and the teenage audience, it all unravels when memories of her own dead mother froth to the surface.

Expect some interaction, a bit of mummification and some rather black humour. And a pasty.

Directed by old Guildford friend Sophie Larsmon, I hope we get to see more collaborations from this exciting team in the future.