For once the hype is justified.
Winner of a record 7 Golden Globes – in every category for which it received a nomination – La La Land is surely bound for Oscar glory too.
The movie is written and directed by the enviably talented Damien Chazelle, still only 31 and the creator of Whiplash, another jazz-themed original piece of artistic brilliance from a couple of years ago.
La La Land sets out its musical stall in the dazzling opening set-piece. Gridlocked LA commuters jump out of their cars and onto the freeway tarmac, bursting with colourful, choreographed energy.
Chazelle has created a musical drama very much for the 21st century. There are too many nods to old-time Hollywood song-and-dance classics to call out, but La La Land is a brilliant and original updating of the genre.
Emma Stone is Mia, a wannabe actress pouring coffee for stars in the Warner Bros film studios between her own unsuccessful auditions .
Ryan Gosling is jazz pianist Sebastian, forced to betray his musical principles to pay the bills.
Mia and Sebastian meet, They fall in love. They break up.
So far, so very Hollywood. But the freshness comes from Chazelle’s use of music, dance and lush cinematography – and the chemistry between Stone and Gosling – to bring the story to sumptuous, vibrant life.
With a critic’s hat on, the movie feels a little like a game of two halves. The first is musical, the second more conventionally wordy. And I’m not totally convinced by the Sliding Doors-like alternative ending to the love story…..
But these are churlish observations.
Leave your cynicism at the cinema door, open your cold English hearts and embrace the cloudless skies and musical warmth of highly original La La Land.
And start counting those Oscars……